This interview is part of an ongoing Star series highlighting Kansas Citians from historically underrepresented communities ...
The scent of burning copal filled the air as Aztec dancers, bedecked in feathered headdresses and wearing shell-embellished ankle cuffs, blessed an intersection bordering Little Village and North ...
Performances in N.Y.C. Advertisement Supported by A solo by the choreographer Bintou Dembélé, the first showing of her work in the United States, explored the crossover between hip-hop and diasporic ...
Introduction: ritual journeys, dancing histories, enacting bodies, and spirits / Dannabang Kuwabong -- Re-visionary history as myth performance: a postcolonial re-reading of Maud Cuney-Hare's Antar of ...
TravelNoire on MSN
Where We Remember: African Diaspora Destinations Where The Dead Are Honored, Not Feared
The Mexican holiday Dia de los Muertos, or “Day of the Dead,” attracts millions of people worldwide to honor the lives of ...
OUIDAH, Benin, Jan 11 (Reuters) - On Benin's national voodoo holiday, performers dressed as guardians of the night swirled in costumes resembling technicolour haystacks, delighting worshippers and ...
A South African dancer and choreographer, she was known as a fearless creative force who brought African dance styles to traditional pieces like “Swan Lake.” By Isabella Kwai and Roslyn Sulcas Dada ...
LGBTQ Nation on MSN
These 5 stories show that queerness was a part of pre-colonial Africa
From the rock shelters of southern Africa to the royal courts of Buganda, fluidity shaped ritual, healing, and community.
John Kinahan does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their ...
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