Productions take very different approaches to the central symbol of this epic cycle, treating Wagner with daring freedom. By Zachary Woolfe Is it oil? Is it youth? Is it tactile? Invisible? For Wagner ...
Performances in N.Y.C. Advertisement Supported by The conductor Nathalie Stutzmann led Lorin Maazel’s coolly efficient 1987 distillation, “The ‘Ring’ Without Words,” at David Geffen Hall. By Zachary ...
On Sunday at Brattleboro’s Latchis Theatre, Vermont’s first-ever Wagner “Ring” Cycle came to a close with “Gotterdammerung,” or “Twilight of the Gods.” At its center is Brunnhilde,” a goddess and ...
Tacoma Opera is betting big on Wagner. At the end of composer Richard Wagner’s “Das Rheingold,” which the company will present in two performances at the Pantages Theater Oct. 3 and 5, the gods cross ...
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