Christine Goerke as Princess Turandot and (Limmie Pulliam as Calàf in Turandot at Moores School of Music. Credit: Photo by Rafael Lopez Every time Giacomo Puccini’s final masterpiece Turandot (1926) ...

Incredibly rich in detail --from staging to technical aspects-- and emboldened with Puccini’s soaring music and meticulous, intelligent direction by Francesca Zambello, Washington National Opera’s ...

Opera Australia’s new production of Turandot has elements of staging and singing to commend – but nothing quite comes up to ...

A new opera series is forming in Detroit amid the rapidly growing divide between contemporary and traditional opera lovers, and is throwing down the gauntlet for old-school opera with a classic ...

An April 24 performance of Puccini’s "Turandot" – one that featured vast choral and orchestral forces and first-rate soloists playing to an enthusiastic and sold-out house – demonstrated the vitality ...

The Kennedy Center premieres a new ending for one of the world's most famous operas on Saturday in Washington, D.C. The opera is Turandot, and its ending has always been, shall we say, problematic.

Performances in N.Y.C. Advertisement Supported by Christine Goerke and Yusif Eyvazov star in a revival of Franco Zeffirelli’s production, which adds gaudiness to Puccini’s sophisticated score. By ...

Performances in N.Y.C. Advertisement Supported by The company put on a semi-staged version of Puccini’s “Turandot” at the last minute, after a backstage lift got jammed. By Javier C. Hernández The ...

In an ancient mythical China, three riddles dictate who wins Turandot's heart and who loses their lives. Calàf is one of many to take on the challenge. Zeffirelli’s production of Puccini’s masterpiece ...

Milan heard it first, then Dresden, Vienna, Rome, Rimini, Buenos Aires, Berlin. Last week it was given its U. S. premiere at the Metropolitan Opera House, Manhattan—Turandot, posthumous opera of ...

IN presenting Puccini’s “Turandot,” the Metropolitan Opera Company unwittingly has gone into competition with White, Ziegfeld and other entrepreneurs of the spectacle. If a fifty-five dollar top was ...