There is a chameleonic quality to François Ozon; unlike many auteurs, he does not simply remake the same film in different guises. The cool, voyeuristic gaze of Charlotte Rampling in the psychosexual ...
When Francois Ozon embarked on the daunting big-screen adaptation of Albert Camus’ “The Stranger” — considered one of France’s literary jewels for the last 80 years — he wanted to give it a ...
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