It’s Nice That met three V&A x Adobe Creative Residents of 2025 to find out how the 12-month programme and its unprecedented access to the museum’s resources has influenced the work they produced.

This illustrator has found a satisfying middle ground between digital and analogue, illustrating wholesome scenes of community for Wordle and most importantly: himself.

Virginie Benarroch and Lola Raban’s new photobook Assistants documents the essential yet largely invisible role of the stylist’s assistant.

Travel back through decades of New York’s cultural moods via these “tactile and human” mementoes of design history.

In a bit of a pickle? Submit your career or workplaces questions to Creative Career Conundrums? We’ll be back for our weekly advice column next week!

The studio’s visual identity for the textiles brand weaves warm, powerful imagery with decisively analogue and decorative framing.

Six years in the making, ABC Schengen packs in the strong, fast-paced energy of industrial fonts as seen on cranes, cars and cargo.

With covers featuring Jane Goodall and David Byrne, the non-profit magazine is conquering overwhelm and broadening our imagination with stories of empathy, unity and hope.

We speak to Alessia Glaviano, head of PhotoVogue on what it means “to see and to be seen” as the festival’s 10th edition, Women on Women, goes on show.

This new series of photographs captures the vastness of Earth in ancient rock formations, natural weathering, tiny crystals, coastlines and gems of amber. But it’s also about the traces of family ...

Closeness is what Saint Urbain’s visual world for Cerca is all about, from compact wordmarks, cuddly animations and candid photography.

The creative agency gets its first makeover in 44 years, with typography embodying its founders, and motion design that plays with its famous projects and attitude.